2013 turned out to be probably one of the biggest years for me ever. Not only did I form a percussion distribution company, launch a new online store, but our company Paul Jennings Music also became the North American distributor for Sela Cajons, one of the world’s top cajon brands. We are continuing to build our lesson sites and have been working on PlayCajon version 2.0 which we are planning to launch in January 2014. The new site will have a lot of new content and great features. Along with all of this I managed to hit the road in the U.S and Europe with Red Hot Chilli Pipers for a bit too.
This Hang solo by Daniel Waples is very cool indeed:
Ever since the hang drum hit the scene back in 2000, people have been drawn in by its hypnotizing sound. Originally created by Felix Rohner and Sabina Schärer in Bern, Switzerland, the instrument, that looks like a UFO, is constructed from two half-shells of deep drawn, nitrided steel sheet and fixed together leaving the inside hollow. The hang is then hammered to create the notes in a similar way that you would create a steelpan, but modified in such a way as to act as a Helmholtz resonator. The top side of the hang has a center ‘note’ called the “Ding” hammered into it and seven or eight ‘tone fields’ hammered out around the center. The bottom of the hang which is called the “Gu” is a plain surface that has a rolled hole in the center with a tuned note that is created when the rim is struck. The name Hang comes from the Bernese German word for hand.
Daniel’s website: http://www.hanginbalance.com
Daniel’s Facebook page: http://facebook.com/hanginbalance
Thank you to everyone who entered the Paul Jennings Music #buildyourgroove competition 2013. All of your entries were amazing and I had a lot of fun watching them all. All the fantastic entries equally made it very hard to pick winners. As you can see I decided to go with 2 joint 1st place winners who will each receive a Snare Cajon Kit. I very much look forward to the next #buildyourgroove competition. Thank you so much again for the great entries.
The winners are:
Joint 1st place: Suze Yuill (China)
Joint 1st place: Steven James Black (Scotland)
2nd place: Chris Cajon (Germany)
3rd place: James Downing (Ireland)
Amazing runner up entry: Rylee Bronner Kaplan (USA)
Amazing runner up entry: Gary O’hagan (Scotland)
These days there are many lessons & videos out there for the cajon but most people are really just looking for a starting point. Here are 10 things to get you going as a beginner cajon player.
1. Find yourself the right cajon.
There are literally hundreds of cajon makers out there today. Some are big names in percussion like LP or Meinl. Some are lesser known specialist cajon makers like Kopf or Sela. It can be daunting figuring out which one is right for you and a lot of it can come down to budget. Beginner models start usually around $70 – $120USD, mid-range: $130 – $300 with pro cajons being $300 – $500 and upwards. Do some looking around there can be some amazing deals out there especially with the lesser known names. Here’s some more info on choosing the right cajon.
2. Find a teacher
When I say find a teacher I am not talking only of a one-on-one human encounter. Your teacher may well come in the form of YouTube or some other video platform for lessons. There are lots of them out there and the internet has made it very easy to access a wealth of knowledge for all manner of subjects including cajon lessons. Some sites you may want to check out include: playcajon.org (shamless plug!) Heidi Joubert’s cajonbox.com and Ross McCallum’s Cajon Groove Guide.
With the nature of the cajon and the way it is played, it is of the highest importance that you are not only sitting right but also playing without straining your self. Make sure you are sitting with your back straight for the most part, not hunched over but relaxed. It is not necessary to play much further than 8″ down the front of the cajon. All tones including the bass tone can be achieved right there. Paying close attention to this particularly in the beginning will greatly help your playing technique, speed & agility, and will also reduce fatigue and back pain.
This is very important. If you dont stretch there is a good chance you will do yourself an injury and that will be a major setback. Here are some basic hand stretches.
Your first practice sessions with your new cajon should focus heavily on finding the basic tones of the cajon. The bass tone & the slap tone are the main two. I also teach a mid tone which is achieved mostly with the tips of the fingers while the hand is in a long cupping form and a high slap tone, achieved with the tips of the fingers on the top edge of the cajon. Through out your whole career as a cajon player or percussionist you will want to improve and refine your tone on your instrument.
6. Use a metronome
Practicing with a metronome will greatly improve your accuracy in timing & speed. This may annoy the hell out of you at first with the mind numbing click but as you go on you will grow to love it as you can throw all kinds of timings off and all over the click of the metronome. Here’s a free online metronome.
7. Create a practice schedule
You will advance greatly if you work on the same things every day so make sure you repeat the same exercises on a daily basis. Do your stretches and warm-ups then take time on each thing that you are working on. Once you feel you are comfortable on those techniques, move on to new ones.
8. Develop your speed
It is very tempting to try to push the speed envelope as soon as possible. We are drummers so we have this burning desire deep inside to be fast at our chops. This is great but if we don’t take our time to achieve that speed in a gradual way or speedy fast licks will be sloppy and disapointing to us and all our friends. Take your time to develop your speed in a measured way. Noch up your metronome only when you feel that you can go on forever playing what your playing. Also, make sure to notch up the speed gradually maybe 5 BPM at a time. This will ensure your success are becoming the fastest cajon player there ever was.
9. Discover new styles
The most hired drummers & percussionists today are those of us who can play different styles. If you are in a super successful rock band making millions skip to number 10. The cajon was invented in the Afro-Peruvian tradition so I would highly recommend learning some of it. Not only do we all owe it to the Afro-Peruvians for inventing the cajon but it is also a very cool style of music with all kinds of great grooves to learn. Flamenco is a huge one and very fun to play on cajon. You could start by learning some basic rumba patterns and work your way up to Bulerias. Learning diferent styles as a percussionist is invalubal and along the way you will learn all about new cultures and traditions. I can’t recommend enough.
10. Get out there
One of the most important ways to further your musicianship is to play with others. You will learn much faster when you can bounce ideas off others and get a feel for playing in a group. If you don’t know where to start look into local drumming groups. There are some in every town these days or if you know some other drummers or musicians, start something yourself. Playing music with others is why we do it. It’s a great way to have a lot of fun and build community.
The world record for the most cajon players at one time in Lima, Peru 2012